【作品基本信息】
| 作者 | 吴谷祥 |
| 品名 | 具区涌金图单片 |
| 朝代 | 清代 |
| 文件大小 | 18.0MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 2107×2849 |
| 尺寸（CM） | 17.83×24.12 |
| 创作时间 | 清德宗光绪十三年（1887） |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清吴谷祥具区涌金图 单片 Surge of Gold at Juqu |
| 分类 | 绘画 |
| 作者 | 吴谷祥;Wu Guxiang |
| 创作时间 | 清德宗光绪十三年（1887） |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 32.5×40.4 |
| 全幅 | 40.3×66.4 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 吴谷祥 | 本幅 | 具区涌金。丁亥（公元一八八七年）二月。写奉务耘仁兄大人雅正。秋农吴谷祥。 | 行书 | |
| 印记： 吴谷祥 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
| 收传印记 | 白云堂藏 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 山水 | 日景 | |
| 主要主题 | 山水 | 江河、湖海 |
技法
| 【技法】 | 【技法细目】 |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 内容简介（中文） | 吴谷祥（公元一八四八－一九０三年），浙江嘉兴人。字秋农，号秋圃老农。工山水，初习文、沈，近法戴熙；早年作品较工整秀逸，中岁以后风格渐趋苍润浑穆，小品尤佳。晚年寓居上海卖画，声名亦盛。本幅刻画太湖日暮之景，粼粼水纹，以细笔勾勒，虽赋彩清雅，仍能道尽湖水滉漾的忠实印象。天际红日将落，晚霞蔽空，与湖光交相辉映，于传统之格局中，别饶新意。本幅为黄安霞小姐捐赠。 |
| 内容简介（英文） | Wu Ku-hsiang, a native of Chekiang, was skilled at painting landscapes. His early works were detailed and beautiful, and, in his middle years, his style became more mature. Wu’s small-scale works were especially outstanding. In his later years, Wu sold paintings in Shanghai, achieving fame there. The clear decorative ripples of the water have been drawn with thin brushstrokes in this scene of a sunset at Lake T’ai. Though the colors are light and elegant, one can still sense the turbid, rippling lake water. A red sun is about to set on the horizon as a glow spreads over the sky. The glow above and the glittering light on the lake complement each other for a rosy effect. This work, which innovates within tradition, was donated by Ms. Huang An-hsia. |
| 参考书目 | 1.刘芳如，〈清吴榖祥具区涌金〉，收入刘芳如主编，《十九世纪末期中西画风的感通之二－－国立故宫博物院所藏同时期名家作品展》（台北：国立故宫博物院，1993年初版），页106。 2.刘芳如，〈近代绘画在中国 — 「十九世纪末期中西画风的感通」展出前言〉，《故宫文物月刊》，第119期（1993年2月），页21。 |
| 内容简介（中文） | 吴谷祥（1848-1903），浙江嘉兴人。字秋农，号秋圃老农。工山水，初习文征明、沈周，近法戴熙。早年作品较工整秀逸，中岁以后风格渐趋苍润浑穆，小品尤佳。晚年寓居上海卖画，声名颇盛。 本幅画太湖日出景致，波光粼粼，以细笔勾勒水纹，虽然用色清雅，仍忠实展现湖水滉漾的情景。天际红日将落，红霞耀空，与湖光交相辉映，不局限于传统格局，别具新意。 黄安霞小姐捐赠于民国82年。 (20120106) |
| 内容简介（英文） | Wu Guxiang (style name Qiunong, sobriquet Qiupu laonong), a native of Jiaxing in Zhejiang, excelled at landscapes and early studied the styles of Wen Zhengming and Shen Zhou as well as Dai Xi closer to his own day. His early works tend to be neater and more elegant, while the style from his middle years and later became increasingly rich and effusive, his intimate works being especially excellent. In later years he resided in Shanghai and sold his paintings, achieving considerable renown. This painting depicts a sunrise scene over Lake Tai. The waves glimmer and are outlined with fine brushwork. Despite the pure elegance of the coloring, it is still faithful to the rippling scenery of lake waters. With the rising sun’s golden red in the sky and its colors filling the sky and reflecting brilliantly on the lake, it creates a scene that breaks down boundaries of tradition with fresh and innovative ideas. Ms. Huang An-hsia donated this painting to the National Palace Museum in 1993. (20120106) |
【作品展示】
![_[浙江樂清]重修南充陳氏宗譜（第四冊）__](https://www.yfshuhua.com/wp-content/uploads/2024/10/08874_浙江樂清重修南充陳氏宗譜（第四冊）_0924180631_1.jpg)
