【作品基本信息】
作者 | 宋徽宗赵佶 |
品名 | 红蓼白鹅图轴 |
朝代 | 北宋 |
文件大小 | 18.04MB |
分辨率(DPI) | 300×300 |
像素大小 | 2012×2989 |
尺寸(CM) | 17.03×25.3 |
作品数量 | 1 |
作品收藏 | 台北故宫博物院 |
图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
藏品类型 | 绘画 |
品名 | 宋徽宗红蓼白鹅图轴 White Goose and Red Polygonum |
分类 | 绘画 |
作者 | 赵佶;Emperor Huizong |
数量 | 一轴 |
典藏尺寸
【位置】 | 【尺寸】(公分) |
本幅 | 132.9×86.3 |
质地
【质地位置】 | 【质地】 |
本幅 | 绢 |
印记数据【印记类别】【印记】鉴藏宝玺乾隆御览之宝鉴藏宝玺石渠宝笈鉴藏宝玺养心殿鉴藏宝鉴藏宝玺嘉庆御览之宝鉴藏宝玺宣统御览之宝收传印记宣和殿宝收传印记真赏收传印记琴书堂收传印记都尉耿信公书画之章收传印记公收传印记信公珍赏收传印记丹诚收传印记珍秘收传印记宜尔子孙收传印记耿会侯鉴定书画之章
主题
【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
主要主题 | 翎毛 | 鹅 | |
主要主题 | 花草 | 红蓼 | |
其他主题 | 山水 | 江河、湖海 |
技法
【技法】 | 【技法细目】 |
工笔 | |
双钩 |
参考数据
【类别】 | 【参考数据】 |
收藏着录 | 石渠宝笈初编(养心殿),上册,页658 |
收藏着录 | 故宫书画录(卷五),第三册,页65-66 |
收藏着录 | 故宫书画图录,第一册,页299-300 |
内容简介(中文) | 宋徽宗(1082-1135),姓赵名佶。性好书画,秉赋极高,山水、花鸟、人物,莫不工。笔墨挺秀,雅韵宜人,书称瘦金体,笔势劲逸。红蓼一枝,离坡高起,画叶正反翻折得势。白鹅蹲伏浅渚之上,回首理翎,目光凝然似欲睡。用粉钩翎,笔意精工之甚。水边作细卵石无数,群色烂然,秋风野水,观之恍然使人如在澄波古岸边也。本幅构图与院藏宋人秋塘双雁极似,应属后人传摹之作。 |
内容简介(英文) | Emperor Hui-tsung’s personal name was Chao Chi. He was a graet patron of the arts, an excellent essayist, and a calligrapher of rank. He also excelled at painting landscapes, birds, flowers, and figures. The style of his calligraphy is called “slender gold” and has an uninhibited, tensile strength. A flowering polygonum plant springs up from a sloping bank. Beneath its branches a white goose stands, nuzzling and preening as if ready for a nap. The plant has been rendered with curling leaves in varying positions, and its branches have been arranged into graceful sprays. Lead white has been used to outline the plumage of the smooth egg-shaped stones at the edge of the water. The glowing colors have been chosen to create the effect of an autumn wilderness. Such a scene makes the viewer feel somewhat dazed, as if he were actually standing on the banks of a stream in ancient days. This painting along with A pair of wild Geese By an Autumn Pond attributed to a Sung dynasty artist also in the museum’s collection, however, is a copy by a later artist. |
【作品展示】
