【作品基本信息】
| 作者 | 吴伟 |
| 品名 | 仙踪侣鹤图轴 |
| 朝代 | 明朝 |
| 文件大小 | 18.0MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1843×3257 |
| 尺寸（CM） | 15.6×27.57 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 明吴伟仙踪侣鹤图轴 Immortals in the Company of A Crane |
| 分类 | 绘画 |
| 作者 | 吴伟 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 68.7×39 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 吴伟 | 本幅 | 江夏吴伟 | 行楷书 | |
| 印记： 吴伟、小仙 |
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印记资料
| 【印记类别】 | 【印记】 |
| 鉴藏宝玺 | 干清宫鉴藏宝 |
| 鉴藏宝玺 | 宣统御览之宝 |
| 鉴藏宝玺 | 太上皇帝 |
| 鉴藏宝玺 | 嘉庆御览之宝 |
| 鉴藏宝玺 | 秘殿新编 |
| 鉴藏宝玺 | 珠林复位 |
| 鉴藏宝玺 | 宜子孙 |
| 鉴藏宝玺 | 三希堂精鉴玺 |
| 鉴藏宝玺 | 秘殿珠林 |
| 鉴藏宝玺 | 乾隆鉴赏 |
| 鉴藏宝玺 | 乾隆御览之宝 |
<colspan=”1″ class=”width2″> 主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 次要主题 | 翎毛 | 鹤 | |
| 次要主题 | 器用 | 服饰（对人） | 斗笠 |
| 主要主题 | 佛道人物 | 神、仙 | 2人 |
技法
| 【技法】 | 【技法细目】 |
| 写意 | |
| 人物衣纹描法(粗细线条) |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 秘殿珠林续编（干清宫），页248 |
| 收藏着录 | 故宫书画录（卷五），第三册，页315 |
| 收藏着录 | 故宫书画图录，第六册，页325-326 |
| 参考书目 | 1.王耀庭，〈明吴伟仙踪侣鹤图〉，收入王耀庭、童文娥编，《长生的世界：道教绘画特展图录》（台北：国立故宫博物院，1996年初版），页78。 |
| 内容简介（中文） | 吴伟（公元一四五九至一五○八年），湖北江夏人。字士英，号鲁夫，更字次翁，又号小仙。幼年流落，曾佣工于钱昕家。后画名大着，宪宗时待诏仁智殿，孝宗时赐画状元印章。 吴伟画人物，出于吴道子，山水树石则自戴进来。此幅破笔焦墨，则是小仙本色。 |
| 内容简介（英文） | Immortals in the Company of A Crane Wu Wei (1459-1508) Ming Dynasty Wu Wei was a native of Chiang-hsia in Hopei. His style name was initially Shih-ying, but he later changed it to Tz’u-weng. His sobriquets were Lu-fu and Hsiao-hsien. A wanderer in his youth, for a while he worked at the home of Ch’ien Hsi. Later he became very well-known as a painter and during the Hsien-tsung reign (1465-1488) was called to the court as Painter-in-attendancd. Hsiao-tsung, the following emperor, bestowed on him a seal inscribed “First among Painters.” Wu Wei’s figure painting was in the tradition of Wu Tao-tzu, while his landscape style was derived from his near contemporary, Tai Chin. The use of ‘broken’ brush strokes and black, dry ink in this work represent a typical manner of his own. |
| 内容简介（中文） | 吴伟（公元一四五九－一五○八年）湖北江夏人。字士英，号鲁夫，更字次翁，又号小仙。幼年流落，曾佣于钱昕家，后画名大着。宪宗时，待诏仁智殿。孝宗时，曾赐「画状元」印章。 本幅水墨画仙人携鹤，童子赤足荷笠，直往前行；仙人似闻鹤唳声，回头看鹤，二者作呼应状。本幅多用秃笔勾画，线条极具精神，又用淡墨晕染，笔墨简单而清雅。 |
| 内容简介（英文） | The Sage of the Northern Sea Riding a Crane Wu Wei (1459-1508) Ming Dynasty Wu Wei, style names Shih-ying and Tz’u-weng; sobriquets Lu-fu and Hsiao-hsien, was a native of Chiang-hsia, Hupei. A wanderer in his youth, he was at one time employed as a servant in the home of Ch’ien Hsin. Later he developed his talent as a painter. During the reign of the Ch’eng-hua Emperor (r. 1465-1488) he received the title of Painter-in-Attendance in the Jen-chih Hall. The Hung-chih Emperor (r. 1488-1505) gave him a seal which read “First among painters”. This painting depicts an immortal astrides a crane; an attendant stands beside him on a lotus branch. The immortal has turned his head to listen to the crane’s cry; gazing at one another the two seem to communciate. Wu has used a worn brush, achieving a vigorous line. For the contrasting washes he has employed very light ink. |
【作品展示】
