【作品基本信息】
| 作者 | 吴昌硕 |
| 品名 | 富贵幽兰图轴 |
| 朝代 | 清代 |
| 文件大小 | 18.0MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1843×3257 |
| 尺寸（CM） | 15.6×27.57 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清吴昌硕富贵幽兰 轴 Orchids of Seclusion and Peonies of Opulence |
| 分类 | 绘画 |
| 作者 | 吴昌硕;Wu Changshi |
| 数量 | 一轴 |
| 作品语文 | 汉文 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 152.3×82.8 |
| 全幅 | 252×100 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 吴昌硕 | 本幅 | 国色国香是为华玉。安得金瓶供之玉堂。戊午（公元一九一八年）凉秋。吴昌硕年七十五。 | 行书 | |
| 印记： 吴俊之印、吴昌石、雄甲辰 |
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印记资料
| 【印记类别】 | 【印记】 |
| 收传印记 | 少英盫 |
| 收传印记 | 辰园宝藏 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 花草 | 牡丹 | |
| 主要主题 | 花草 | 兰．蕙 | 兰 |
| 其他主题 | 山水 | 奇石 |
技法
| 【技法】 | 【技法细目】 |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 蔡辰男先生捐赠书画目录，页67、126 |
| 内容简介（中文） | 吴昌硕（公元一八四四－一九二七年），浙江安吉人。原名俊，字昌硕，又字仓石，别号缶庐、苦铁，又署破荷、老缶、大聋，七十岁后以字行。书法以石鼓文见长，用笔结体，一变前人成法；篆刻以浙、皖诸家入手，上溯秦汉印鈢，钝刀硬入，朴茂苍劲；又以金石书法入画，笔墨坚挺，气魄厚重，色彩浓郁，结构突兀，为海上画派巨擘。本幅画牡丹设色浓丽，以朱磦和着胭脂大笔涂抹，浓墨勾叶脉，衬出红花，取笔劲挺，富金石气息。本幅为蔡辰男先生捐赠。 |
| 内容简介（英文） | Wu Ch’ang-shih (given name Chun, style name Ts’ang-shih; sobriquets Foulu, K’u-t’ieh, P’o-he, Lao-fou, and Ta-lung) was a native of An-chi, Chekiang. In calligraphy, Wu specialized in石鼓文 stone-drum script. He transformed the brushwork and structure of previous calligraphers to form his own style. He studied seal carving from various masters in Chekiang and Anhwei and went back to carving Ch’in (255 BC-207 BC) and Han (206 BC-AD 220) dynasty style seals; the hard medium of the seal stone was carved with blunt lines to reveal a plain yet hoary strength. Furthermore, Wu also applied the calligraphic style of stone and bronze inscriptions to his painting, creating a grandiose and rich style with deep, bold colors. He became a noted artist of the Shanghai School. These brilliantly colored vermillion and rouge peonies have been executed with a large brush. The leaf veins are thickly outlined, making the red blossoms stand out. Wu’s interest in seal-carving scripts has influenced his brushwork, rendering it very firm and strong. This painting was donated to the Museum by Mr. Ts’ai Ch’en-nan. |
| 内容简介（英文） | These brilliantly colored vermilion and rouge peonies have been executed with a large brush. The leaf veins are thickly outlined, making the blossoms stand out. Wu’s interest in seal-carving scripts has influenced his brushwork, rendering it very firm and strong. Wu Ch’ang-shih, a noted artist of the Shanghai School, was from An-chi, Chekiang. His compositions are unusual; his application of color thick. The vigor and energy of his brush stem from his study of many styles and schools of calligraphy and seal carving; he studied even the scripts of the Ch’in and Han dynasties. This scroll was donated by Mr. Ts’ai Ch’en-nan. |
| 内容简介（英文） | Wu Ch’ang-shih was a noted artist of the Shanghai School whose painting compositions were unusual and application of colors dramatic. His energetic and forceful brushwork stems from his study of calligraphy (stone and bronze inscriptions, in particular) and his seal carving. These brilliantly colored vermilion and rouge peonies have been executed with a large brush. The leaf veins are thickly outlined, making the blossoms stand out. Wu’s interest in seal-carving scripts influenced his brushwork, rendering it firm and strong. This scroll was donated to the Museum by Mr. Ts’ai Ch’en-nan. |
| 参考书目 | 1.〈清吴昌硕富贵幽兰〉，收入国立故宫博物院编辑委员会编，《牡丹名画特展图录》（台北：国立故宫博物院，1987年四月初版），页51。 2.刘芳如，〈清吴昌硕富贵幽兰〉，收入刘芳如主编，《十九世纪末期中西画风的感通之二－－国立故宫博物院所藏同时期名家作品展》（台北：国立故宫博物院，1993年初版），页98。 |
| 参考书目 | 谭怡令，〈清吴昌硕富贵幽兰 轴〉，收入宋兆霖主编《天保九如-九十年来新增文物选粹》（台北：国立故宫博物院，2015.10），页268-269。 |
【作品展示】
