【作品基本信息】
作者 | 恽寿平 |
品名 | 仿古山水册-2-12开 |
朝代 | 清代 |
文件大小 | 216.47MB |
分辨率(DPI) | 300×300 |
像素大小 | 2831×2124 |
尺寸(CM) | 23.96×17.98 |
作品数量 | 12 |
作品收藏 | 台北故宫博物院 |
图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
藏品类型 | 绘画 |
品名 | 清恽寿平仿古山水 册 Landscape After the Ancient |
分类 | 绘画 |
作者 | 恽寿平 |
数量 | 一册:十二开(本幅十二开十二幅) |
典藏尺寸
【位置】 | 【尺寸】(公分) |
本幅 | 25.2×32.4 |
质地
【质地位置】 | 【质地】 |
本幅 | 纸 |
印记数据【印记类别】【印记】鉴藏宝玺嘉庆御览之宝鉴藏宝玺嘉庆鉴赏鉴藏宝玺石渠宝笈鉴藏宝玺三希堂精鉴玺鉴藏宝玺宜子孙鉴藏宝玺宝笈三编鉴藏宝玺宣统御览之宝
参考数据
【类别】 | 【参考数据】 |
收藏着录 | 石渠宝笈三编(延春阁),第五册,页2197 |
收藏着录 | 故宫书画录(卷八),第四册,页142 |
收藏着录 | 故宫书画图录,第二十四册,页124-127 |
内容简介(中文) | 恽寿平(公元一六三三-一六九0年),江苏武进人。初名格,字寿平,后以字行。诗文为毘陵六逸之首,绘画与王时敏等人齐名,合称四王吴恽。画初学山水,后自觉无法与王翚争胜,而专攻花卉。以徐崇嗣没骨法参以己意,成为清代花卉宗师,有常州派之称。 本册画山水十二帧,自题仿宋、元、明各家,款字稍弱。各幅取景或疏朗,或繁密,多用干笔,浅绛设色,笔墨均具自身面目。通册无论情境笔法,皆十分清雅宜人,充分表现恽氏向见之风貌。 |
内容简介(英文) | Landscapes After the Ancients Yun Shou-p’ing (1633-1690) Ch’ing Dynasty Yun Shou-p’ing (original name Ko) was a native of Wu-chin, Kiangsu. His excellence in poetry and prose made him the leader of the Six Untrammelleds of P’i-ling, and his painting was equal in fame to that of Wang Shih-min (1592-1680) and others, who became known collectively as the Four Wangs, Wu, and Yun. It is said that Yun Shou-p’ing, early in his career as a landscape painter, felt that he could not compete with the master Wang Hui (1632-1717), and thus turned to specializing in flower painting. He derived inspiration from the “boneless” method of color washes developed by Hsu Ch’ung-ssu (fl. 11th c.) Yun became a model for other flower painters of the Ch’ing, founding the Ch’ang-chou School. |
【作品展示】











