【作品基本信息】
| 作者 | 郑午昌 |
| 图名 | 横月单片 |
| 朝代 | 近现代 |
| 文件大小 | 18.0MB |
| 分辨率 | 300×300 |
| 像素大小 | 2829×2121 |
| 编号 | 23.95×17.95 |
| 创作时间 | 中华民国三十六年(1947) |
| 数量 | 1 |
| 馆藏信息 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 民国郑午昌横月 单片 |
| 分类 | 绘画 |
| 作者 | 郑午昌 |
| 创作时间 | 中华民国三十六年(1947) |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 18.7x 51.8 |
| 全幅 | 36.4×59.6 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 郑午昌 | 本幅 | 横月。丁亥(公元一九四七年)秋郑午昌。 | 行书 | |
| 印记: 弱龛、郑昶之印 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
| 收传印记 | 定静堂 |
| 收传印记 | 林 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 花草 | 梅(白.红.蜡梅) | 红梅 |
技法
| 【技法】 | 【技法细目】 |
| 写意 | |
| 苔点 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 林宗毅先生林诚道先生父子捐赠书画图录,页133、193 |
| 内容简介(中文) | 郑午昌(公元一八九四-一九五二年),名昶,号弱龛。浙江嵊县人。曾任教上海美专及新华艺专。一九二九年组织蜜峰画社。工书善诗文,绘画山水、花卉、仕女,都很专长,又能篆刻。在绘画史与理论方面也有专着传世。此幅扇面作于民国三十六年(一九四七),画古干红梅,自左至右,横踞画幅上端,枝桠折返,缀以几朵盛开的红梅,十分醒目。本册为林宗毅林诚先生捐赠。 |
| 内容简介(英文) | Traversing the Moon Cheng Wu-ch’ang (1894-1952) Republican Period Cheng Wu-ch’ang was a native of Sheng-hsien, Chekiang, who taught at the Shanghai Academy of Fine Arts and Hsin-hua Academy of Art. In 1929, he formed the Mi-feng Painting Society. He excelled at calligraphy and was gifted at poetry and prose. He also painted landscapes, flowers, and ladies-all his specialties. In addition to carving seals, he left many writings on painting history and theory. This fan, painted in 1947, depicts the trunk of an old plum tree with pink blossoms, extending from one side to the other horizontally crouched in the upper part. The branch extends back and is adorned with several open, pink, eye-catching blossoms. This work was donated to the Museum by Messrs. Lin Tsung-I and Lin Ch’eng-tao. |
| 内容简介(中文) | 郑午昌(一八九四-一九五二),名昶,号弱龛。浙江嵊县人。曾任教上海美专及新华艺专。一九二九年组蜜蜂画社。除诗、书、画艺外,亦擅篆刻。绘事题材,无所不专,一生致力于创作及画史理论等研究,成就斐然。此幅画古干红梅,横踞于画幅上端,枝桠折返,构图奇特,笔法稳健,红梅点缀于其间,十分醒目。此画成于丁亥(一九四七)年。 本册为林诚道先生捐赠。 |
| 内容简介(英文) | Traversing the Moon Cheng Wu-ch’ang (1894-1952) Republican Period Cheng Wu-ch’ang (name Ch’ang, sobriquet Jo-k’an), a native of Sheng-hsien, Chekiang, taught at the Shanghai Academy of Fine Arts and Hsin-hua Academy of Art. In 1929, he formed the Mi-feng Painting Society. Besides painting, calligraphy, and poetry, he also did seal carving. Gifted in many painting subjects, his lifetime of devotion to the arts left many artworks and writings. This painting from 1947, donated by Mr. Lin Ch’eng-tao, shows the trunk of an old plum tree with blossoms extending from one side to the other horizontally crouched in the upper part. The branch extends back and is adorned with several open, eye-catching blossoms for a striking composition done in strong and steady brushwork. |
【作品展示】

民国郑午昌横月单片
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