【作品基本信息】
| 作者 | 恽寿平 |
| 品名 | 写生花卉册-雪中蕉 |
| 朝代 | 清代 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 2790×2156 |
| 尺寸（CM） | 23.62×18.25 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清恽寿平写生花卉 册 雪中蕉 Plantain in Snow |
| 分类 | 绘画 |
| 作者 | 恽寿平 |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 26.3×33.4 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 恽寿平 | 本幅 | 辋川画雪中蕉。千古传称为墨林胜赏。余图略师其意。 | 草书 | |
| 印记： 吹万、云衣居士、寿平、恽正叔 |
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印记资料
| 【印记类别】 | 【印记】 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 山水 | 冬景（雪景） | |
| 主要主题 | 树木 | 芭蕉 | |
| 次要主题 | 花草 | 茶花 | 山茶花 |
技法
| 【技法】 | 【技法细目】 |
| 写意 | |
| 没骨 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 故宫书画录（卷六），第四册，页135-137 |
| 收藏着录 | 故宫书画图录，第二十四册，页138-141 |
| 内容简介（中文） | 恽寿平（1633-1690），原名格，字寿平，后以字行，江苏武进人。初善作山水，因自谦无力与王翚（1632-1717）争胜，遂改工花卉。画法承自徐崇嗣（10世纪后半）之没骨法，又参以己意，风格独创，蔚为清代花卉画宗师。 本幅选自＜写生花卉册＞，画冬日雪景，自谓师法王维（701-761）雪中蕉图笔意。芭蕉叶染汁绿带赭，山茶花叶背面、暗处染以淡墨，二者覆雪处均留白，仅花之瓣、萼与干上略加点白粉。再以墨染底色，表现寒冬天色，具凛冽感。弹雪处用花青，颇有创意。(20110102) |
| 内容简介（英文） | Yun Shouping originally had the name Ge and the style name Shouping, by which he later went. A native of Wujin in Jiangsu, he at first excelled at landscape painting but later felt that he could not compete with the master Wang Hui (1632-1717), turning to flowers instead. His style derives from the “boneless” method of washes used by Xu Chongsi (fl. latter half of 10th c.), but with his own interpretation as well. With his unique style, Yun Shouping became a master of flower painting in the Qing dynasty. This leaf, from “Album of Flowers Sketched from Life,” is a snow scene on a winter’s day and is said by the artist in his inscription to have come from the brush manner of plantain in snow depicted by Wang Wei (701-761). The plantain leaves have been rendered with vegetable green touched with ochre, while the backs of the camellia leaves and the darker areas were washed in light ink. The rest of the motifs have been left blank to indicate snow. Only the petals and calyxes of the blossoms and some of the trunk area have some white pigment added. The background was then washed in ink to suggest a dark winter sky, also having a feeling of chilling clarity. The areas of marbled snow are likewise done with cyanine blue for a very creative effect.(20110102) |
| 参考书目 | 1.〈清恽寿平写生花卉 册 雪中蕉〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳-历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页138-139。 |
【作品展示】
清恽寿平写生花卉册雪中蕉
