【作品基本信息】
| 作者 | 文征明徵明 |
| 品名 | 蕉池积雪图轴 |
| 朝代 | 明朝 |
| 文件大小 | 18.0MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1577×3806 |
| 尺寸（CM） | 13.35×32.22 |
| 创作时间 | 明世宗嘉靖十一年（1532） |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 明文征明蕉池积雪 轴 Banana Plant in the Snow |
| 分类 | 绘画 |
| 作者 | 文征明 |
| 创作时间 | 明世宗嘉靖十一年（1532） |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 64.4×26.9 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 文征明 | 本幅 | 张外史伯雨。甞得古铜洗。种小蕉白石上。置洗池中。名曰蕉池积雪。赋诗云。铜驼陌上得铜洗。曾见汉朝风露零。寒光未蚀刼灰黑。古色犹带宫苔青。金人垂泪漫怀古。玉女洗头真寓形。天公作池媚蕉雪。何以报之双玉瓶。周江邨作蕉池积雪轩。饶分之追和外史韵。周君张君先后尔。以蕉飬雪谁先零。种玉得名亦齿齿。孤鸾落羽何青青。岂不能供一日乐。讵有常存千岁形。铜官铸洗洗独在。笑灌翠碧宜银瓶。倪元镇次前韵。雪中芭蕉见图画。蕉池积雪终凋零。风翻窓里浪花白。雨压床头云朵青。诗人超轶有远思。造物变幻难逃形。尔亦林居喜幽事。晓挹石溜携铜瓶。种蕉依石名蕉雪。积雪常存蕉未零。淡影半笼寒尚浅。素光相照色逾青。秋风不剪新抽叶。春水难消已练形。勾曲老𠎣亲灌𠁅。辋川庄上汲铜瓶。凡物深培出常类。宜尔雪蕉寒不零。孤根𠊓石一何洁。数叶含风长自青。目前无尘竟成趣。茟端有神能幻形。怡然相对不相厌。此意犹如雪在瓶。赵宗文。爱尔东原延绿亭。不随凡卉一时零。诗中有画人如玉。眼底无尘雪亦春。几叶自成鸾舞影。一拳谁作虎潜形。雨声莫漫云根滴。我欲携之浸玉瓶。周𪔂伯噐。读书窓外灵苗异。托根石罅难凋零。一拳浸水自然白。数叶藏春依旧青。浓云只讶凤垂翼。素质犹疑羊化形。惟有梅华可同调。好折霜枝浸胆瓶。钱昌允言。先君温州尝同吕太长追和其韵。好事品题成小巧。古贤风韵未凋零。𠎣人掌上一团雪。摩诘图中四序青。聊尔栽培供一笑。不须磨洗是忘形。何当月下仍招我。赠子中泠水满瓶。嘉靖壬辰（公元一五三二年）秋八月既望。长洲文征眀追和并录。 | 楷书 | |
| 印记： 文征明印、征仲、停云 |
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印记资料
| 【印记类别】 | 【印记】 |
| 收传印记 | 白云堂藏 |
| 收传印记 | 仲子 |
| 收传印记 | 冏安居 |
| 收传印记 | 南海黄君璧藏 |
| 收传印记 | 子安 |
| 收传印记 | 大文鉴赏 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 器用 | 花器 | 花盆 |
| 次要主题 | 树木 | 芭蕉 | |
| 主要主题 | 山水 | 奇石 |
技法
| 【技法】 | 【技法细目】 |
| 工笔 | |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 内容简介（中文） | 文征明（公元年一四七○－一五五九）江苏长洲人，文信公后裔。初名壁，字征明，后以字行，更字征仲，号停云生、衡山。画师沈周，书画双绝，为明四大家之一。文氏享年九十，高龄健硕，犹孜孜于书画，故作品传世颇多。本幅画蕉石盆景，幅上题咏甚多，道出画题来源。如就画赏画，绿蕉白石古盆，相映成趣，弥觉可爱。款署壬辰（一五三二）亦脱境之笔。本幅为黄君璧先生捐赠。 |
| 内容简介（英文） | Wen Cheng-ming was a native of Chiang-chou, Kiangsu. He is known for his excellence both in calligraphy and painting. He learned painting from Shen Chou, and like his teacher, Wen Cheng-ming is known as one of the Four Masters of the Ming. Wen Cheng-ming lived to be ninety years old. Throughout his life he diligently practiced painting and calligraphy, and for this reason his extant works are numerous. This painting portrays a banana plant and a rock in a pot. Inscriptions on the painting are extremely numerous, and from them we learn the origin of the subject matter of the painting. The painting was made in 1532 when the artist was sixty-two years old. This painting was presented to the museum by Huang Chun-pi. |
| 内容简介（中文） | 文征明（公元一四七○—一五五九年），长洲（今江苏苏州）人，文信公后裔。初名壁，字征明，后以字行，更字征仲，号停云生、衡山。画师沈周，书画双绝，为明四大家之一。文氏享年九十，高龄健硕，犹孜孜于书画，故作品传世颇多。 本幅为黄君璧先生捐赠，画蕉石盆景，幅上题咏甚多，道出画题来源。画中绿蕉、白石、古盆相映成趣，弥觉可爱。款署壬辰（一五三二），是年文氏六十三岁。 |
| 内容简介（英文） | Wen Zhengming, a native of Changzhou (modern Suzhou, Kiangsu), was a descendant of Wen Xingong. Originally named Bi and style name Zhengming, he later went by his style name and took another one, Zhengzhong, along with the sobriquets Tingyunsheng and Hengshan. In painting, he followed Shen Zhou, coming to excel at this art form and calligraphy and being recognized as one of the Four Ming Masters. Wen Zhengming lived to be nearly 90 and still in good health in his advanced years, diligently doing painting and calligraphy. This accounts for the large number of his surviving works. This painting, donated to the National Palace Museum by Mr. Huang Chun-pi, depicts a banana plant and a stone in a pot. Many inscriptions of poetry appear on the work, and from them we learn the origin of the subject matter here. The green banana leaves, white rock, and archaic pot contrast in an interesting manner for an appealing effect. The inscription is dated to the equivalent of 1532, when Wen was 63 by Chinese reckoning. |
【作品展示】
明文征明蕉池积雪轴明文征明蕉池积雪轴
