【作品基本信息】
| 作者 | 吴石仙（僊） |
| 品名 | 山水图轴 |
| 朝代 | 清代 |
| 文件大小 | 17.99MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1229×4881 |
| 尺寸（CM） | 10.4×41.32 |
| 创作时间 | 清德宗光绪二十三年（1897） |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 民国吴石僊山水 轴 Landscapes |
| 分类 | 绘画 |
| 作者 | 吴石僊;Wu Shixian |
| 创作时间 | 清德宗光绪二十三年（1897） |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 131.2×33.2 |
| 全幅 | 195.8×45.1 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 吴石僊 | 本幅 | 晚来江气连城白。丁酉（一八九七年）春日。石僊。 | 行书 | |
| 印记： 吴庆云印、石僊 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
| 收传印记 | 龙溪林氏 |
| 收传印记 | 定静堂印 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 山水 | ||
| 其他主题 | 建筑 | 房舍 | |
| 其他主题 | 树木 | ||
| 其他主题 | 船 | 帆船 | |
| 其他主题 | 船 | 渔船 | |
| 其他主题 | 人物 | 渔夫、船夫 | |
| 其他主题 | 建筑 | 城墙 | |
| 其他主题 | 建筑 | 台阁 | |
| 其他主题 | 山水 | 江河、湖海 | 江河 |
技法
| 【技法】 | 【技法细目】 |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 林宗毅先生捐赠书画目录，页69、127 |
| 内容简介（中文） | 吴庆云（？－一九一六年），上元（今南京）人，流寓上海。字石仙，后以字行，号泼墨道人。丘壑幽奇，初不为人重，既赴日本归，乃长烟雨法，墨晕淋漓，烟云生动，峰峦林壑，阴阳向背，皆能渲染入微。 本幅画江上烟云缭绕之景、采米芾、高克恭浓墨重点，气势雄浑之法，远处楼阁帆影，近处林木蓊郁，充分表达出江上破晓清新的气氛。 本幅为林宗毅先生捐赠。 |
| 内容简介（英文） | Wu Ch’ing-yun (style name Shih-hsien; sobriquet P’o-mo tao-jen) was a native of Shang-yuan (modern Nanking) but spent most of his time in Shanghai. He later adopted his style name when he became famous. At the beginning of his career Wu was not respected so he went to Japan to study. He excelled at methods of depicting mist and rain, and the ink in his works is moist and fluid. His mist and clouds are lively, and his mountain peaks and forest ravines are done in chiaroscuro technique. With the addition of color, all of Wu’s images appear subtle. This scene of misty clouds hovering over a river adopts the dense ink and heavy wash force of Mi Fu (1051-1107) and Kao K’o-kung (1248-1310). The distant tower and boats on the water and the nearer lush growth of trees fully reveal an atmosphere of a new dawn. This painting was donated to the Museum by Mr. Lin Tsung-yi. |
| 内容简介（中文） | 吴石僊（？－公元一九一六年），上元（今南京）人，流寓上海。字石僊，后以字行，号泼墨道人。山水气势雄厚，丘壑幽奇，初不为人重，既赴日本归，乃长烟雨法，墨晕淋漓，烟云生动。 隔江城郭在望，帆樯数片；近岸是关榷把守，一枝旗竿高高矗立。细长条画幅，一河两岸构景，河流呈「之」字斜行，用以增加造景之纵深。吴氏擅于用墨，墨色层次多且湿润，对于雨景或水雾之表达，颇为适宜，为吴氏一贯作风。本幅为林宗毅先生捐赠。 |
| 内容简介（英文） | Wu Shih-hsien (sobriquet P’o-mo tao-jen) was a native of Shang-yuan (modern Nanking) who later settled in Shanghai. He was known for his heroic and powerful landscapes with rolling hills and silent scenery. Unappreciated early in his career, he traveled to Japan, after which his works became noted for their misty and moist style. Separated by river dotted with sails are buildings in the distance. The foreground is marked by a gate with a banner waving up high. This tall and narrow hanging scroll is composed of a river depicted between two banks. The river zig-zags in a diagonal manner, which creates the effect of distant scenery in the background. Wu Shih-hsien excelled in the use of ink, which has been added in layers here to give a moist, rich effect similar to that of a rainy or mist-laden landscape. This work is typical of Wu’s style, the use of ink being just as Wu described in his poetic inscription; “Rain clears over the river, leaving areas of open sky.” Wu graded his ink tones perfectly to give the impression of a landscape just after rain. This work was donated to the Museum by Mr. Lin Tsung-i. |
| 参考书目 | 1.刘芳如，〈清吴庆云山水图〉，收入刘芳如主编，《十九世纪末期中西画风的感通之二－－国立故宫博物院所藏同时期名家作品展》（台北：国立故宫博物院，1993年初版），页108。 |
| 内容简介（中文） | 吴石僊（？-1916），名庆云，以字行，号泼墨道人，上元（今南京）人，流寓上海。画山水气势雄厚，丘壑幽奇，初不为人所重视，赴日归后，长于表现烟雨景致，墨晕淋漓，烟云生动，峰峦林壑，阴阳向背，皆能渲染入微。 本幅画江上烟云缭绕景色，笔墨有米芾、高克恭浓墨重点，景物苍茫。远处楼阁帆影，近处林木蓊郁，充分表达出江上破晓时分清新的气氛。 林宗毅先生捐赠于民国75年。 (20120106) |
| 内容简介（英文） | Wu Shixian (named Qingyun, went by his style name, sobriquet Pomo daoren) was a native of Shangyuan (modern Nanjing) who resided in Shanghai. His landscape paintings are vigorous and solid with hills and valleys quite secluded. At first he did not come to the attention of others, but after returning from Japan, he excelled at rendering scenes of mists and rain. With ink haloes and dripping wet ink, his mists and clouds are animated with ridges and peaks as well as forests and valleys supporting each other, all arrived at with marvelous washes and texturing. This painting depicts a scene of roiling clouds and mists on a river. The manner of brushwork has the luxuriant ink and repeated dots from the style of Mi Fu and Gao Kekong, creating rich and hoary scenery. In the distance are buildings and sails with lush trees in the foreground, fully conveying the pure atmosphere of dawn over a river. Mr. Lin Tsung-yi donated this painting to the National Palace Museum in 1986. (20120106) |
【作品展示】
