【作品基本信息】
作者 | 爱新觉罗弘旿 |
品名 | 画山水(二)册 |
朝代 | 清代 |
文件大小 | 218.82MB |
分辨率(DPI) | 300×300 |
像素大小 | 2830×2122 |
尺寸(CM) | 23.96×17.96 |
作品数量 | 12 |
作品收藏 | 台北故宫博物院 |
图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
藏品类型 | 绘画 |
品名 | 清弘旿画山水(二) 册 |
分类 | 绘画 |
作者 | 爱新觉罗弘旿 |
数量 | 一册:十二开(本幅十二开十二幅) |
典藏尺寸
【位置】 | 【尺寸】(公分) |
本幅 | 24.6×31.9 |
质地
【质地位置】 | 【质地】 |
本幅 | 纸 |
参考数据
【类别】 | 【参考数据】 |
收藏着录 | 石渠宝笈续编(重华宫),第三册,页1714 |
收藏着录 | 故宫书画录(卷八),第四册,页145 |
收藏着录 | 故宫书画图录,第二十七册,页248-251 |
内容简介(英文) | Hung-wu of the Manchu imperial clan was a grandson of the K’ang-hsi Emperor (r. 1662-1722). Hung-wu enjoyed literature, calligraphy, and painting, studying under the court artist Tung Pang-ta. His style was influenced then by the trend of imitating antiquity rather than that of novelty. His signature here, in addition to a seal, uses the character “ch’en 臣”, meaning a court subject. This reverent attitude is also found in other works. Even a work not done on imperial command reveals this attitude. Since the character for “Hung” is the same as the first one in the Ch’ien-lung Emperor’s personal name, Hung-li, Hung-wu expressed respect by following the custom of avoiding such so-called taboo characters by leaving off the last stroke. |
内容简介(中文) | 满清宗室 弘旿(卒于公元一八一一),字卓亭,号恕斋,为允秘之子、康熙皇帝之孙。弘旿爱好文学书画,跟随宫廷画家董邦达学画,画风受当时仿古潮流影响,不以新奇为能事。弘旿落款用印附加「臣」字,如此敬慎的态度也见于弘旿其他作品,即使并非奉旨之作亦复如此。由于「弘」字与乾隆皇帝「弘历」第一字相同,为了表示恭敬,弘旿又沿用避讳的惯例,缺写最后一笔。 |
内容简介(英文) | Hung-wu, a member of the Manchu imperial clan, was a grandson of the K’ang-hsi Emperor (r. 1662-1722). He enjoyed literature, calligraphy, and painting, studying under the court artist Tung Pang-ta. Hung-wu’s style was influenced by the trend then of imitating antiquity rather than that of novelty. His signature here, in addition to a seal, uses the character “ch’en ? ”, meaning a court subject. This reverent attitude is also found in his other works. Even a work not done on imperial command reveals this attitude of his. Since the character for “Hung” is the same as the first one in the Ch’ien-lung Emperor’s personal name (Hung-li), out of respect, Hung-wu followed the custom of avoiding such so-called taboo characters by leaving off the last brushstroke of that character. |
【作品展示】
册.溪亭舣艇故画00323300001__K2A003233N000000001PAA-2.jpg)
__清弘旿画山水(二)册.溪亭舣艇故画__KANPAA
册.松壑鸣泉故画00323300002__K2A003233N000000002PAA-2.jpg)
__清弘旿画山水(二)册.松壑鸣泉故画__KANPAA
册.极浦飞颿故画00323300003__K2A003233N000000003PAA-2.jpg)
__清弘旿画山水(二)册.极浦飞颿故画__KANPAA
册.茆亭观瀑故画00323300004__K2A003233N000000004PAA-2.jpg)
__清弘旿画山水(二)册.茆亭观瀑故画__KANPAA
册.松溪别馆故画00323300005__K2A003233N000000005PAA-2.jpg)
__清弘旿画山水(二)册.松溪别馆故画__KANPAA
册.平湖远眺故画00323300006__K2A003233N000000006PAA-2.jpg)
__清弘旿画山水(二)册.平湖远眺故画__KANPAA
册.曲涧平桥故画00323300007__K2A003233N000000007PAA-2.jpg)
__清弘旿画山水(二)册.曲涧平桥故画__KANPAA
册.秋江独钓故画00323300008__K2A003233N000000008PAA-2.jpg)
__清弘旿画山水(二)册.秋江独钓故画__KANPAA
册.悬崖飞瀑故画00323300009__K2A003233N000000009PAA-2.jpg)
__清弘旿画山水(二)册.悬崖飞瀑故画__KANPAA
册.村墅藏云故画00323300010__K2A003233N000000010PAA-2.jpg)
__清弘旿画山水(二)册.村墅藏云故画__KANPAA
册.寒林深坞故画00323300011__K2A003233N000000011PAA-2.jpg)
__清弘旿画山水(二)册.寒林深坞故画__KANPAA
册.绝巘孤亭故画00323300012__K2A003233N000000012PAA-2.jpg)
__清弘旿画山水(二)册.绝巘孤亭故画__KANPAA