【作品基本信息】
| 作者 | 文俶 |
| 品名 | 画春蚕食叶图轴 |
| 朝代 | 明朝 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1607×3743 |
| 尺寸（CM） | 13.6×31.69 |
| 创作时间 | 明思宗崇祯三年（1630） |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 明赵文俶画春蚕食叶 轴 Silkworms Feeding on Mulberry Leaves |
| 分类 | 绘画 |
| 作者 | 赵文俶;文俶(Wen Shu);Zhao-Wen Chu |
| 创作时间 | 明思宗崇祯三年（1630） |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 78.5×32.7 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 赵文俶 | 本幅 | 庚午（公元一六三０年）三月既望。天水赵氏文俶画。 | 楷书 | |
| 印记： 赵文俶印、端容 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
| 鉴藏宝玺 | 乾隆御览之宝 |
| 鉴藏宝玺 | 嘉庆御览之宝 |
| 鉴藏宝玺 | 宣统御览之宝 |
| 鉴藏宝玺 | 乾隆鉴赏 |
| 鉴藏宝玺 | 石渠宝笈 |
| 鉴藏宝玺 | 三希堂精鉴玺 |
| 鉴藏宝玺 | 宜子孙 |
| 鉴藏宝玺 | 石渠定鉴 |
| 鉴藏宝玺 | 宝笈重编 |
| 鉴藏宝玺 | 重华宫鉴藏宝 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 树木 | 桑树 | |
| 次要主题 | 草虫 | 蚕 | |
| 次要主题 | 果蔬 | 桑椹 |
技法
| 【技法】 | 【技法细目】 |
| 工笔 | |
| 双钩 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈续编（重华宫），第三册，页1719 |
| 收藏着录 | 故宫书画录（卷五），第三册，页496 |
| 收藏着录 | 故宫书画图录，第九册，页51-52 |
| 参考书目 | 1.〈赵文俶春蚕食叶〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页23、70。 2.国立故宫博物院，2003年初版一刷），页178。 3.刘芳如，〈中国古画里的草虫世界 — 「草虫天地」特展介绍（下）〉，《故宫文物月刊》，第221期（2001年8月），页100。 |
| 内容简介（中文） | 文俶（公元一五九五—一六三四年），江苏长洲人。她是明朝中期著名画家文征明的玄孙女，自幼即聪慧善画，凡是日常见到奇花异草、小虫怪蝶，都会随手加以描摹，写生作品，总数竟多达千余种。本幅画一株结实累累而枝叶茂密的桑树上面，三只春蚕正蠕蠕爬行着。叶片上斑斑的啃食痕迹，明白点出了作品的主题；而白蚕、绿叶与红果之间的巧妙配搭，更为整幅画营造出无比清雅的视觉效果。 |
| 内容简介（英文） | Wen Shu, a native of Soochow, was the great-granddaughter of the famous Soochow artist Wen Cheng-ming. Gifted since childhood in paining, she made sketches from life upon coming across interesting plant-and-insect subjects, which are said to have totaled more than a thousand. This work depicts the branch of a mulberry tree with its fruit and luxuriant leaves. Three silkworms are shown; one inches its way up the branch while two are munching on a leaf below. The holes in the leaves clearly show the remains of their meal, hence the title of this work. The delicate colors of the white worms, green leaves, and red fruit have all been cleverly arranged, imparting even further elegance to the graceful brushwork and forms. |
| 内容简介（中文） | 文俶，字端容，生在明神宗万历二十三（公元一五九五）年，江苏长洲人，文从简的女儿，嫁吴中高士赵灵筠为妻，生性聪慧，善绘画，见物即能摹写，年四十便去世。她的画，擅长花卉。传说她平日居家，偶然看见奇花异草、小虫怪蝶，都随手画下，共收集千种，合成一册，题名「寒山草木昆虫状」。可说写生功力极深，因此，对捕捉花木草虫的性情特征，有独到之处，这幅画便是一例，桑叶之上，春蚕蠕蠕而动，状至清雅。 |
| 内容简介（英文） | Wen Shu, whose style name was Tuan-jung, was a native of Ch’ang-chou in Kiangsu. The daughter of Wen Ts’ung-chien (great grandson of Wen Cheng-ming), she married the scholar Chao Ling-chun (1591-1640) of Wu-chung. Clever and talented, Wen Shu was a gifted painter who could sketch anything she saw. She died at forty sui of age. She specialized in painting flowers, and it is said that whenever in her ordinary day life, she saw an unusual flower or stem of grass, a small insect or rare butterfly, she would make an offhand sketch of them. Altogether there were said to be over a thousand specimens collected into an album, which was given the title “Grasses, Trees, and Insects from the Wintry Mountain.” This painting is an example of her skill at capturing the nature of her subjects. Three silkworms, which are wriggling on the mulberry leaves, are described with grace and charm. |
| 内容简介（中文） | 文俶（1595–1634），字端容，江苏长洲人，贡生文从简之女，文征明玄孙女，嫁吴中高士赵灵筠为妻。自幼聪慧，随手画下生活所见花卉虫蝶千种，集结成〈寒山草木昆虫状〉册，亦擅写松石，兼工仕女。 画幅呈现清新可人的小景，桑树枝叶一角，三只春蚕蠕动缓行，叶片上的啃食痕迹，点出作品的主题，全幅钩画细谨，景物清晰匀整，虽本幅尺寸不大，但描绘绿叶、红果以及白蚕，笔墨设色见闺秀画家清雅之风。 (20120714) |
| 内容简介（英文） | The great-granddaughter of Wen Zhengming, Wen Shu (style name Duanrong), native to Changzhou (modern Suzhou), married the lofty Suzhou scholar Zhao Lingyun. Gifted since childhood, she made sketches from life of various plants and insects. Said to number a thousand, they formed the album, “Grasses, Trees, and Insects from Wintry Mountain.” This work depicts an intimately appealing scene of a mulberry branch with leaves and fruit as 3 silkworms slowly make their way. The leaves show evidence of their meal, hence the title. The entire work is done with careful outlines, the forms clear and orderly. Despite its small size, the green leaves, red fruit, and white silkworms done in refined brushwork and colors reveal her pure grace. (20120714) |
| 参考书目 | 张华芝，〈明赵文俶画春蚕食叶 轴〉，收入刘芳如主编《她-女性形象与才艺》（台北：国立故宫博物院，2020.10），页170-171、277-278。 |
【作品展示】
