【作品基本信息】
| 作者 | 鲜于枢 |
| 品名 | 论张旭怀素高闲草书-元赵孟頫鲜于枢墨迹合册 |
| 朝代 | 元朝 |
| 文件大小 | 143.97MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 2831×2119 |
| 尺寸（CM） | 23.96×17.94 |
| 作品数量 | 8 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 元赵孟頫鲜于枢墨迹合册 册 元鲜于枢论张旭怀素高闲草书 Discourse on Cursive Script by Zhang Xu, Huaisu, and Gaoxian |
| 分类 | 法书 |
| 作者 | 鲜于枢;Xianyu Shu |
| 书体 | 草书 |
| 数量 | 一幅 |
| 作品语文 | 汉文 |
| 释文 | 张长史怀素高闲皆名善草书。长史颠逸。时出法度之外。怀素守法。特多古意。高闲用笔粗。十得六七耳。至山谷乃大坏。不可复理。此伯几真迹。（小行书。注五字）。渔父词。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 26.9 x53.6 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
印记数据【印记类别】【印记】作者印记水帘洞道士收传印记游心古道收传印记诗书世家收传印记二十四岩人李又玄同叟信（重一。其一半印）收传印记真佑收传印记张坤厚印鉴藏宝玺宣统鉴赏鉴藏宝玺无逸斋精鉴玺收传印记灌湘收传印记张氏志德（重一。其一半印）收传印记张氏伯元收传印记郑氏居贞收传印记宋荦审定收传印记河东司徒世家收传印记绣山收传印记薛玄卿印收传印记林阿士衡收传印记洪章收传印记白雪巢图书印
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈初编（养心殿），上册，页471-472 |
| 收藏着录 | 故宫书画录（卷三），第一册，页227-231 |
| 参考书目 | 1.何传馨，〈元鲜于枢论张旭怀素高闲草书〉，收入何传馨编，《书法之美特展图录》（台北：国立故宫博物院，1992年五月初版一刷），页77。 2.何传馨，〈大汗的世纪 赵孟頫鲜于枢墨迹合册〉，《故宫文物月刊》，第223期（2001年10月），页18-19。 |
| 内容简介（中文） | 鲜于枢。公元一二四六至一三0二。字伯机。渔阳人。至元间以材选为江浙行省都事。后官太常寺典簿。意气豪迈。善词赋。工行书及画。 赵孟頫云。余与伯机同学草书。伯机过余远甚。极力追之而不能及。伯机已矣。世乃称仆能书。所谓无佛处称尊也。可谓推服之甚矣。此帖仅五十三字。而使转纵横。遒劲之甚。正不觉其少也。 |
| 内容简介（英文） | Hsien-yu Shu was a native of Yu-yang, Hopei. His style name was Po-chi. On the basis of his ability he was chosen assistant provincial secretary of Kiangsu and Chekiang, and later served as a high official to the Mongols. His deportment was unrestrained. Excelling in the composition of verse, his semi-cursive script and painting were also excellent. Chao Meng-fu (1254-1322) once said: “Po-chi and I studied cursive script together. He excelled me by far. Exerting my utmost effort, I still could not catch up with him. Alas, he is now no more. And people today say that I have ability in calligraphy. Such is the case when the exalted one has left the scene.” This essay contains only 53 characters, but in the compelling turns and the vertical and horizontal movements, there is a most powerful energy, so that one feels the piece to be not at all brief. |
| 内容简介（中文） | 鲜于枢（公元一二四六至一三0二年），字伯机，渔阳（今今天津蓟县一带）人。至元间以材选为江浙行省都事，后官太常寺典簿。意气豪迈，善词赋。工行书及画。赵孟頫云：「余与伯机同学草书，伯机过余远甚，极力追之而不能及，伯机已矣，世乃称仆能书，所谓无佛处称尊也。」可谓推服之至。此帖论唐代张旭、怀素、高闲及宋代黄庭坚草书，崇唐抑宋，运笔使转纵横，可见到怀素草书影响。 (20121017) |
| 内容简介（英文） | Xianyu Shu (style name Boji) was a native of Yuyang (around modern Jixian, Tianjin). Based on ability, he was chosen for the Jiangsu-Zhejiang Branch Secretariat, later rising to Archivist in the Court of Imperial Sacrifices. Bold in manner, he was gifted at poetry, running script, and painting. Zhao Mengfu once said, “Boji and I studied cursive script, but Boji far surpassed me. Exerting utmost effort, I still could not catch up. Alas, he is now gone. People say I am able in calligraphy. Such is when an exalted one has left.” It shows how much Zhao venerated Xianyu. This is a discourse on the cursive of 3 Tang calligraphers and Huang Tingjian of the Song. In praising the Tang over Song, the brushwork is compelling in its turns, showing the influence of Huaisu. (20121017) |
【作品展示】
