【作品基本信息】
| 作者 | 项圣谟 |
| 品名 | 画芦雁图轴 |
| 朝代 | 明朝 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1740×3457 |
| 尺寸（CM） | 14.73×29.26 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 明项圣谟画芦雁 轴 Geese Alighting on Sandy Banks |
| 分类 | 绘画 |
| 作者 | 项圣谟 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 80.6×39.8 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 项圣谟 | 本幅 | 不知回雁峰。相去几多远。一行千万行。渐渐来何晚。项圣谟作。 | 行书 | |
| 印记： 免乌叟、岳川之灵、伯子孔彰、留真迹与人间垂千古、天籁阁中文孙 |
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印记资料
| 【印记类别】 | 【印记】 |
| 鉴藏宝玺 | 嘉庆御览之宝 |
| 鉴藏宝玺 | 宝笈三编 |
| 鉴藏宝玺 | 宣统御览之宝 |
| 鉴藏宝玺 | 嘉庆鉴赏 |
| 鉴藏宝玺 | 石渠宝笈 |
| 鉴藏宝玺 | 三希堂精鉴玺 |
| 鉴藏宝玺 | 宜子孙 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 花草 | 芦苇 | |
| 主要主题 | 翎毛 | 雁 | |
| 次要主题 | 山水 | 江河、湖海 | |
| 其他主题 | 山水 |
技法
| 【技法】 | 【技法细目】 |
| 无皴 | |
| 苔点 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈三编（延春阁），第五册，页2102 |
| 收藏着录 | 故宫书画录（卷五），第三册，页466-467 |
| 收藏着录 | 故宫书画图录，第九册，页61-62 |
| 内容简介（中文） | 项圣谟（公元一五九七至一六五八）元汴之孙，嘉兴人。字孔彰，号易庵，又号胥樵。工书画山水，初学文衡山，扩于宋而取韵于元。花竹木石亦精妙。 此幅写丛汀芦苇，群雁就宿，或低翔而下，或结阵远来。于江天空旷之中，写霜秋暮景，使人观之，若有萧瑟凛栗之气，可谓善画者以意胜也。 |
| 内容简介（英文） | Hsiang Sheng-mo, a native of Chia-hsing, Kiangsu province, was the grandson of the famed collector Hsiang Yuan-pien. His style name was K’ung-chang, his sobriquets I-an and Hsu-ch’iao. He excelled at calligraphy and painting landscapes. Beginning his painting with Wen Cheng-ming, he expanded his repertory with the study of Sung dynasty works and perfected them with the study of the Yuan. Flowers, bamboo and rocks were also excellent. The work depicts a flock of geese alighting on a stretch of level beach – some have already settled among the water reads and folded their wings, others still hover far in the distance. A scene of dusky autumn with settling frost, it possesses a tone of skin-chilling melancholy. In this respect can one say that the content reigns supreme in this painting. |
| 内容简介（中文） | 项圣谟（公元一五九七至一六五八年）为元汴之孙。字孔彰，号易庵，又号胥樵。工书画山水，初学文衡山，扩于宋而取韵于元，乃项氏家族数代以来画名最高者。此幅写丛汀芦苇，群雁就宿，或低翔而下，或结阵远来。于江天空旷之中，写霜秋暮景，使人观之，若有萧瑟凛冽之气，可谓善画者以意胜也。鉴藏印记中有方「天籁阁中文孙」，足见其景仰祖父元汴之情。 |
| 内容简介（英文） | Xiang Shengmo (style name Kongzhang; sobriquets Yian, Xuqiao) was Xiang Yuanbian’s grandson. Gifted at calligraphy and painting landscapes, he first studied the style of Wen Zhengming and later included those of the Song and Yuan masters, making him the most gifted painter in the Xiang clan. This work depicts shoals and reeds along with flocks of wild geese resting and flying (some in formation). The sky above the expansive river has a tinge of cool autumn at dusk, imparting a feeling of cold desolation to the viewer while demonstrating the artist’s success in conveying poetic sentiment. A Xiang Shengmo seal here reads, “Literary Grandson from the Hall of Heavenly Sounds,” revealing Xiang’s artistic reliance on his grandfather. |
【作品展示】
