【作品基本信息】
| 作者 | 郑曼青 |
| 图名 | 双寿单片 |
| 朝代 | 近现代 |
| 文件大小 | 18.0MB |
| 分辨率 | 300×300 |
| 像素大小 | 2122×2829 |
| 编号 | 17.96×23.95 |
| 数量 | 1 |
| 馆藏信息 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 民国郑曼青双寿 单片 Double Longevity |
| 分类 | 绘画 |
| 作者 | 郑曼青 |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 66.2×33.8 |
| 全幅 | 158.3×54.5 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 郑曼青 | 本幅 | 老莱能偕隐。功名弃不顾。汝亦厌尘嚣。掉头未肯住。曳尾淤泥中。逍遥得安步。丙申（公元一九五六年）岁暮。玉井山人曼髯戏墨。 | 行草书 | |
| 印记： 玉井山人、曼青诗书画、此中有真趣 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 水中动植物 | 乌龟 |
技法
| 【技法】 | 【技法细目】 |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 内容简介（中文） | 郑曼青（公元一○二－一九七五年），浙江永嘉人。名岳，字曼青，号玉井山人。能诗文，善书法，擅绘画，又精于医术、拳术，为郑子太极的创始人。本幅构图简约，仅绘两只乌龟由下向上仰头缓步而行，一副潇洒而去的样子。郑氏以浓淡不同的湿墨染渍龟背，再以浓墨在足部与眼睛处加以提点，用笔虽然简约，可是这两只乌龟的神态却尽表无遗。本作为郑曼青夫人丁惟庄女士捐赠。 |
| 内容简介（英文） | Cheng Man-ch’ing, a native of Yung-chia, Chekiang province, was talented in poetry and prose. He also excelled at calligraphy and painting. Studied in medicine and martial arts, he was the founder of “Master Cheng’s Taichi Ch’uan”. The simple composition of this work, donated to the Museum by Cheng Man-ch’ing’s wife (Ting Wei-chuang), shows two turtles slowly proceeding in a leisurely manner, one with its head up and the other down. Cheng used different gradations of light and dark ink to wash their shells and then used dark ink to accentuate the areas around the legs and eyes. Though his brushwork is simple, nothing appears missing from the spirit and form of the turtle, a symbol of longevity in Chinese culture. |
| 收藏着录 | 郑曼青先生书画特展目录，页14 |
| 内容简介（中文） | 郑曼青（1902－1975），浙江永嘉人。名岳，字曼青，号玉井山人。能诗文，善书法，擅绘画，又精于医术、拳术，为郑子太极的创始人。 本幅构图简约，仅绘两只乌龟由下向上仰头缓步而行，一副潇洒而去的样子。郑氏以浓淡不同的湿墨染渍龟背，再以浓墨在足部与眼睛处加以提点，用笔虽然简约，可是这两只乌龟的神态却尽表无遗。 郑曼青夫人丁惟庄女士捐赠于民国71年。(20110204) |
| 内容简介（英文） | Cheng Man-ch’ing (named Yueh, style name Man-ch’ing, sobriquet Yu-ching shan-jen), was a native of Yongjia in Zhejiang. Talented in poetry and prose, he also excelled at calligraphy and painting. Studied in medicine and martial arts, he was the founder of “Cheng’s Taichi Chuan.” The simple composition of this work depicts only two turtles slowly proceeding in a leisurely manner in the center with their heads up. They exude a casual yet elegant appearance. Cheng used different gradations of light and dark ink to wash their shells and then applied dark ink to accentuate the areas around their legs and eyes. Though his brushwork is succinct, nothing appears missing from the spirit and form of the turtle, a symbol of longevity in Chinese culture. Mrs. Cheng Man-ch’ing (Ms. Ting Wei-chuang) donated this painting to the National Palace Museum in 1982.(20110204) |
【作品展示】
民国郑曼青双寿单片
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