【作品基本信息】
| 作者 | 董其昌 |
| 品名 | 临张旭郎官壁记图轴 |
| 朝代 | 明代 |
| 文件大小 | 18.03MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1449×4149 |
| 尺寸（CM） | 12.26×35.12 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 明董其昌临张旭郎官壁记 轴 Copy of Chang Xu’s Inscription on a Minister’s Wall |
| 分类 | 法书 |
| 作者 | 董其昌;Dong Qichang |
| 书体 | 楷书 |
| 数量 | 一轴 |
| 作品语文 | 汉文 |
| 释文 | 上天垂象。北极着于文昌。先王建邦。南宫列为会府。六官既辩。四方是则。大总其纲。小持其要。礼乐刑政。于是乎达。而王道备矣。圣上至德光被。睿谋广运。提大象以佑生人。躬无为以风天下。三台淳曜。百辟承宁。动必有成。举无遗策。年和俗厚。千载一时。而犹搜择茂异。网罗俊逸。野罄兰芳。林殚松秀。尽在于周行矣。夫尚书郎廿四司。凡六十一人。上应星纬。中比神仙。咸擅国华。以成台妙。修词制天一之议。伏奏为朝廷之容。信杞梓之薮泽。衣冠之领袖。临张长史郎官壁记。董其昌。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 161.2×54.9 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
印记数据【印记类别】【印记】作者印记董其昌印作者印记大宗伯印鉴藏宝玺乾隆御览之宝鉴藏宝玺乾隆鉴赏鉴藏宝玺石渠宝笈鉴藏宝玺三希堂精鉴玺鉴藏宝玺宜子孙鉴藏宝玺石渠定鉴鉴藏宝玺宝笈重编鉴藏宝玺干清宫鉴藏宝鉴藏宝玺嘉庆御览之宝鉴藏宝玺宣统御览之宝收传印记张照之印
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈续编（干清宫），第一册，页442 |
| 收藏着录 | 故宫书画录（卷二），第一册，页13 |
| 内容简介（中文） | 董其昌（公元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书，谥文敏。天才隽逸，善书画，富收藏，尤精鉴赏。临摹书迹，至忘寝食。行楷之妙，称绝一代。 本轴未署年，以所钤「大宗伯印」推断，当作于崇祯五年（一六三二）抵京应宫詹大宗伯之召以后。董氏好杂临诸家，独造奥妙，求其神似于不似间。本幅临张旭郎官壁记，略得张书之意，结体用笔，则见徐浩影响。 |
| 内容简介（英文） | Tung Ch’i-ch’ang (1555-1636) was a native of Hua-t’ing, Kiangsu province. His style name was Hsuan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the Ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time. The “ta-tsung-po-yin” (seal of the great Tsung-po) seal impressed on this hanging scroll indicates that it was written after 1632, when Tung was summoned to this position. Tung enjoyed free-copying works by various calligraphers and creating a mysterious aura, capturing a spirit which lay somewhere between resemblance and non-resemblance. This scroll is a free-copy of Chang Hsu’s Inscription on a Minister’s Wall is a free-copy of Chang’s style, and roughly captures Chang’s style, but the structure of Tung’s characters and the brushwork reflect the influence of Hsu Hao (703-782). |
| 内容简介（中文） | 董其昌（公元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书。善书画，富收藏，尤精鉴赏。行楷之妙，称绝一代。本轴钤「大宗伯印」，当作于崇祯五年（一六三二）应宫詹大宗伯之召后。董其昌好杂临诸家，独造奥妙，求其神似于不似间。本幅节临唐张旭郎官壁记，略得张书笔法精严之意，结体沉稳，运笔生动，表现出晚年本色书风。 (20121017) |
| 内容简介（英文） | Dong Qichang (style name Xuanzai, sobriquet Sibo) was a native of Huating, Jiangsu. A Presented Scholar of 1589, he served as Minister of Rites. He excelled at painting and calligraphy, amassing a large collection and being an excellent connoisseur. Marvelous at semi-standard script, he was unparalleled in his time. This scroll is impressed with “Seal of the Minister of Rites,” meaning it was done after Minister of Rites Zhan summoned him to that position. Dong excelled at copying the ancient masters, attaining wondrous results in spirit but not necessarily form. This is an abstracted copy of Zhang Xu’s inscription, capturing roughly his refined brushwork. The characters are stable and the brush animated, revealing features of Dong’s late style. (20121017) |
| 参考书目 | 〈明董其昌临张旭郎官壁记 轴〉，收入李玉珉、何炎泉、邱士华主编《妙合神离-董其昌书画特展》（台北：国立故宫博物院，2016.01），页254-255、396。 |
【作品展示】
