【作品基本信息】
| 作者 | 齐白石 |
| 图名 | 苹果草虫图轴 |
| 朝代 | 近现代 |
| 文件大小 | 18.04MB |
| 分辨率 | 300×300 |
| 像素大小 | 2090×2878 |
| 编号 | 17.69×24.36 |
| 创作时间 | 民国三十七年（1948） |
| 数量 | 1 |
| 馆藏信息 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 民国齐白石苹果草虫 轴 Basket of Fruit |
| 分类 | 绘画 |
| 作者 | 齐白石 |
| 创作时间 | 中华民国三十七年（1948） |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 105.5×34.3 |
| 全幅 | 49.4 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸本 |
题跋资料【题跋类别】【作者】【位置】【款识】【书体】【全文】题跋齐白石本幅杏子坞老民白石八十八岁。戊子（公元一九四八年）秋月作。草书
印记：
白石、麓山红叶相思签
包首
齐白石苹果草虫。
印记资料
| 【印记类别】 | 【印记】 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 草虫 | 蜻蜓 | |
| 主要主题 | 果蔬 | 苹婆．林檎 | |
| 主要主题 | 器用 | 篮．篓．箩筐 |
技法
| 【技法】 | 【技法细目】 |
| 写意 | |
| 没骨 |
参考数据
| 【类别】 | 【参考数据】 |
| 内容简介（中文） | 齐白石（公元一八六四－一九五七年），湖南湘潭人。原名纯生，后易名为璜，又号白石山人。初假雕花木工营生，廿七岁始习画，于肖像、花卉、虫鱼、山水，无不精能。因于北平鬻画最久，为艺坛尊为民初京派的代表，而与上海的吴昌硕并称「南吴北齐」。 白石晚期作画好用粗笔大墨，挥洒自如，色调虽艳而不俗。构图别致，时出意表。虽从学及模仿者极多，惟均不及。 |
| 内容简介（英文） | Ch’I Pai-shih was a native of Hsiang-t’an, Hunan, Who went by numerous sobriquets. As a youth, he learned carpentry and excelled at sculpture. At the age of 26, he began to study calligraphy, painting, poetry, and sealcarving. After the age of 40, he travelled extensively throughout China; later, in his sixties, he established residence in Peking, where he sold paintings and carved seals for a living. He also served as an instructor in the Peking Art Academy. In his later years, Ch’I often used coarse brushwork and copious amounts of ink, which he applied with great freedom. Although he used many colors, they were applied with great refinement. The composition is constricted by the narrow scroll, giving, enhancing the elongated character. Though many have tried to imitate and copy his works, none can approach Ch’I’s style. Ch’I’s inscription states that he did this painting in 1948. |
| 内容简介（中文） | 齐白石（公元一八六四－一九五七年），湖南湘潭人。小名阿芝，字萍生，号白石、白石翁，又号寄萍、借山翁等，名号甚多。年少学木工，善雕花。二十七岁学书画，学诗文，刻图章。四十岁后游历大江南北，六十岁后定居北平，以篆刻卖画为生，并任北京艺专教授。其书画以徐渭、八大、石涛为宗，兼及金农、吴昌硕。 此幅以写意法及大胆的色彩运用，表现出苹果、蜻蜓质朴之美。画面一反传统水墨淡雅安静之气氛，而以独创面目予人强烈深刻的感受。 |
| 内容简介（英文） | Ch’I Pai-shih was a native of Hsiang-t’an in Hunan and known by many svbriquets throughout his life. As a youth, he studied carpentry and excelled at decorative carving. At the age of 26, he studied painting and calligraphy, as well as poetry, belles-lettres, and carving seals. At 40, he began travelling all over China, finally settling down in Peking at 59. He made a living by seal carving and selling paintings, and also served as a professor at the Peking Art Academy. The styles of his painting and calligraphy followed those of Hsu Wei (1521-1593), Chu Ta (1626-1705), Shih-t’ao (1642-c. 1707), as well as Chin Nung (1687-1763) and Wu Ch’ang-suo (1844-1927). This painting was done in the “sketching ideas ”method with the blod colors expressing the beautiful disposition of the apples and dragonfies. In contrast with the quiet and elegant atmosphere of traditional ink painting, this painting gives one the feeling of powerful and profound creativity. |
【作品展示】
民国齐白石苹果草虫轴
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