【作品基本信息】
| 作者 | 黄慎 |
| 图名 | 花卉册-牡丹 |
| 朝代 | 清代 |
| 图片大小 | 18.0MB |
| 分辨率 | 300×300 |
| 像素大小 | 2829×2121 |
| 图片尺寸 | 23.95×17.95 |
| 数量 | 1 |
| 馆藏信息 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清黄慎花卉 册 牡丹 Peony |
| 分类 | 绘画 |
| 作者 | 黄慎 |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 33.5×45.9 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 黄慎 | 本幅 | 故人过我草堂东。不问明朝米瓮空。擎着烛台成习气。揭帘先照鹤翎红。 | 草书 | |
| 印记： 黄慎、恭寿 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 花草 | 牡丹 |
技法
| 【技法】 | 【技法细目】 |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 林宗毅先生捐赠书画目录，页21-23、114 |
| 内容简介（中文） | 黄慎，生于康熙二十六（一六八七）年，乾隆三十三（一七六八）年，八十二岁尚在。字恭懋，号瘿瓢，祖籍福建，长居扬州。自幼家穷，苦读成功，擅长诗、书、画，时有「三绝」的美称。事母至孝，闻名乡里。其画以仙佛人物最著名，花卉、山水其次。由于在画法上，不因袭前人旧路，而开创笔墨新趣，为扬州八怪之一。 此幅画牡丹，笔墨纵姿灵秀，款书与画互为映发，并臻佳妙。 本幅选自黄慎「花卉册」，此册为林宗毅先生捐赠。 |
| 内容简介（英文） | Huang’s brushwork is ethereal; the calligraphy of the signature equally so. This work was donated by Mr. Lin Tsung-yi. Huang Shen, one of the “Eight Eccentrics of Yang-chou,” was most famous for his paintings of Taoist and Buddhist subjects and of human figures, but he was also known for his landscapes and renditions of flowers and plants. His painting style was not imitative; his brushwork, innovative. Originally from Fukien, Huang actually spent most of his life in Yang-chou. Although from a poor family, his diligence led him to excel at poetry, painting, and calligraphy, for which he was called man of “Three Excellences.” He was famous for his filiality toward his mother. Although the exact date of his death is not known, he is known to have lived at least to the age of eighty-two. |
| 网页展示说明 | 黄慎（1687-1768后），字恭懋，号瘿瓢，祖籍福建，长居扬州鬻画。自幼家穷，靠苦读成功，兼擅诗、书、画，时有「三绝」的美誉。其画以仙佛人物最着称，花卉、山水居次。由于在画法上，绝不因袭前人旧路，力求开创笔墨新趣，致能蔚为扬州八怪之一。 本幅选自〈花卉册〉，为林宗毅先生所捐赠。画中牡丹，殆以近乎狂草的大写意法，顷刻挥就。笔墨于纵恣泼辣间，不失花王轻盈秀润的形象特质。幅左并自书七绝一首，书画互为映发，并臻佳妙。(20110102) |
| 网页展示说明 | Huang Shen (style name Gongmao; sobriquet Yingpiao) originally hailed from Fujian but resided in Yangzhou for many years, making a living by painting. From a poor family since youth, he studied hard and succeeded, excelling at poetry, calligraphy, and painting, called the “Three Perfections.” He was most famous for his paintings of immortals and Buddhist figures, then flower and landscape subjects. His painting methods in no way followed in the footsteps of previous masters, as he strived to create a new form of expression in brush and ink. He was thus known as one of the “Eight Eccentrics of Yangzhou.” This work, from “Album of Flowers” donated to the National Palace Museum by Mr. Lin Tsung-yi, depicts a peony blossom in a very expressive “sketching ideas” manner that is almost like wild cursive script, appearing as if rendered in just a few seconds. The bold and vigorous as well as unbridled manner of brush and ink still reveals the light and elegant form of this “King of the Flowers.” To the left is a truncated seven-character verse, the painting and calligraphy complementing each other in a lofty and beautiful manner. (20110102) |
| 网页展示说明 | 黄慎（1687-1768以降）、字は恭懋、号は瘿瓢、祖籍（祖先の原籍）は福建、扬州に长く暮らし、絵画を生业とした。贫しい家庭に生まれ育ち、苦学の末に成功した。诗、书、画のいずれにもに优れ、「三绝」と赞えられた。仙人や仏教の人物画で最もよく知られ、それに次いで花卉、山水画が知られている。画法に关しては、前人の古いやり方を踏袭することなく新たな画风の创造を求め続け、「扬州八怪」の一人に数えられた。 本作は『花卉册』に収录されている。画中の牡丹は狂草の大写意に近く、短时间で描き上げたのがわかる。自由奔放で大胆な笔遣いではあるが、「花の王」と言われる牡丹の軽やかさ、秀でた美しさなど、その特征は失われていない。左侧に画家自らが书した七言绝句一首がある。书画が互いに引き立てあい、実に见事である。林宗毅氏寄赠。 (20110102) |
| 参考书目 | 1.〈清黄慎花卉 册 牡丹〉，收入谭怡令、刘芳如、林莉娜主编《满庭芳-历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页162-163。 |
【作品展示】
清黄慎花卉册牡丹-
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