【作品基本信息】
| 作者 | 董其昌 |
| 品名 | 书春日行图轴 |
| 朝代 | 明代 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1519×3959 |
| 尺寸（CM） | 12.86×33.51 |
| 创作时间 | 明思宗崇祯元年（1628） |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 明董其昌书春日行 轴 Traveling on a Spring Day |
| 分类 | 法书 |
| 作者 | 董其昌;Dong Qichang |
| 书体 | 行书 |
| 创作时间 | 明思宗崇祯元年（1628） |
| 数量 | 一轴 |
| 作品语文 | 汉文 |
| 释文 | 春日行。深宫高楼入紫清。金作盘龙鞶绣楹。佳人当窓弄白日。弦将手语弹鸣筝。春风吹落君王耳。此曲乃是升天行。因出天池泛蓬瀛。楼台蹙沓波浪惊。三千双娥献歌笑。挝钟考鼓宫殿倾。万姓聚舞歌太平。我无为。人自宁。三十六帝顾相迎。仙人飘翩下云軿。黄帝不去留镐京。安能为轩辕。独往入杳冥。小臣拜献南山寿。陛下万古垂鸿名。戊辰（公元一六二八年）七夕书。其昌。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 118.2×43.6 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
印记数据【印记类别】【印记】鉴藏宝玺乾隆御览之宝鉴藏宝玺乾隆鉴赏鉴藏宝玺石渠宝笈鉴藏宝玺三希堂精鉴玺鉴藏宝玺宜子孙鉴藏宝玺御书房鉴藏宝鉴藏宝玺嘉庆御览之宝鉴藏宝玺宣统御览之宝
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈初编（御书房），下册，页1094 |
| 收藏着录 | 故宫书画录（卷二），第一册，页18 |
| 内容简介（中文） | 董其昌（一五五五－一六三六），字玄宰，号思白，华亭人。万历十六年进士，官至礼部尚书，谥文敏。天才俊逸，善谈名理，少好书、画，临摹真迹，至忘寝食。行楷之妙，称绝一代。同时以善书名者尚有邢侗、米万钟、张瑞图，时人谓邢张米董，又曰南董北米。 董其昌行书得力于王羲之之兰亭、圣教二序，又喜杂临诸名家书，故能独造奥妙。本幅书春日行七言诗，行笔用墨浓淡间，深得王书之意，丰姿神采，自有婉转之致。自署年款戊辰，为其七十四岁之作。 |
| 内容简介（英文） | Tung Ch’i-ch’ang was a native of Hua-t’ing, Kiangsu . He attained his chin-shih degree in 1588 and reached the position of Minister of the Ministry of Rites. Tung was born with natural gifts and superior intellectual faculties. He was particularly fond of calligraphy and painting, and in his youth spent countless hours copying the genuine works of old masters. His standard and semi-cursive scripts were recognized as the best of his generation, and Tung was known together with Hsing T’ung, Mi Wan-chung and Chang Jui-t’u as the greatest calligraphers of the time. Tung Ch’i-ch’ang’s semi-sursive calligraphy is primarily derived from Wang Hsi-chih’s two prefaces, Lan-t’ing and Sheng-chiao. Certain aspects from other calligraphers, however, are also used, and this allows Tung’s calligraphy to define its own territory. This seven-character poem creates subtleties of light and dark, and is filled with rich, twisting movements of the brush that recall the methods of Wang Hsi-chih. It was written in 1628, when Tung was seventy-three. |
【作品展示】
