【作品基本信息】
| 作者 | 杨维桢祯 |
| 品名 | 书晚节堂诗-元人法书册 |
| 朝代 | 元朝 |
| 文件大小 | 17.99MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 2831×2119 |
| 尺寸（CM） | 23.96×17.94 |
| 创作时间 | 元顺帝至正二十一年（1361） |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 元人法书 册 杨维祯书晚节堂诗 Ode on the Wanjie Hall |
| 分类 | 法书 |
| 作者 | 杨维祯 |
| 书体 | 行书 |
| 创作时间 | 元顺帝至正二十一年（1361） |
| 数量 | 一幅 |
| 作品语文 | 汉文 |
| 释文 | 晚节堂诗为竹洲仙母赋。许姥塘东余姥宅。高年七十见孤风。半生闭户机杼老。二子读书灯火同。大儿学仙类耽子。小儿力仕如终童。瑶池春酒介眉寿。阿母蟠桃千岁红。至正辛丑（公元1361年）春三月十有二日铁笛道人在清真之竹洲馆试奎章赐墨书。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 27×57.1 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
印记数据【印记类别】【印记】作者印记杨维祯印作者印记廉夫作者印记铁笛道人作者印记九山白云居收传印记天籁阁收传印记项叔子（重一）收传印记项子京家珍藏收传印记项墨林鉴赏章收传印记檇李项氏士家宝玩收传印记项元汴印收传印记寄敖收传印记周锡圭印收传印记锡圭私印作者印记清白传家收传印记耿嘉祚收传印记子孙永宝收传印记项墨林父秘籍之印
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈初编（重华宫），下册，页712-714 |
| 收藏着录 | 故宫书画录（卷三），第一册，页252-253 |
| 收藏着录 | 故宫历代法书全集，第十六册，页68-91、173-179 |
| 参考书目 | 1.王耀庭，〈元杨维祯晚节堂诗〉，收入王耀庭主编，《传移模写》（台北：国立故宫博物院，2007年初版），页106-107。 |
| 内容简介（中文） | 杨维祯（公元一二九六－一三七0年），浙江绍兴人，字廉夫，号东维子、铁笛道人。三十二岁及进士第，署天台尹，以狷介故，为黠吏陷，遂免官，往来苏松一带。然心系国事，曾上〈正统辩〉，为时所赏，后复官，会四海兵乱，遂泯迹江浙间。晚年居松江，因其学问文章气节而来从学者众。其文放逸险绝，称铁崖体，书风亦狂怪清劲，与文风相类。本幅为六十六岁时书，时杨氏已定居松江数载，常于斋中与友人门生瀹茗品酒，试新笔佳墨，赏题字画。此诗即用奎章赐墨所书，下笔力透纸背，老辣之甚。 |
| 内容简介（英文） | Yang Wei-chen (style name Lien-fu; sobriquets Tung-wei-tzu, T’ieh-ti-tao-jen) was a native of Shao-hsing, Chekiang. He served as an official in T’ien-t’ai. Because of his stubborn, rash, and straightforward personality, he often encountered difficulties with officials. He eventually gave up officialdom and went to Suchou and Sung-chiang. However, still interested in politics, he submitted an essay on orthodoxy and legitimacy (Cheng-t’ung pien). For this, he received much praise and once again became an official. Late in life, he settled in Sung-chiang. Because of his erudition, his literary output, and his moral integrity, he attracted many students. His literary style is daring and risky, and his calligraphy is equally wild and strange. Yang Wei-chen wrote this ode on high quality paper with good ink when he was sixty-six after he had settled in the Sung-chiang area. His well-practiced brushstrokes seem so strong that they might almost have penetrated the surface of the paper. |
| 内容简介（中文） | 杨维祯（公元一二九六－一三七0年），浙江绍兴人，字廉夫，号东维子、铁笛道人。三十二岁及进士第，署天台尹，以狷介故，为黠吏陷，遂免官，往来苏松一带。然心系国事，曾上〈正统辩〉，为时所赏，后复官，会四海兵乱，遂泯迹江浙间。晚年居松江。 本幅六十六岁（一三六一年）书，用奎章赐墨。时杨氏定居松江数载，常与友人门生瀹茗品酒，试新笔佳墨，赏题字画。(20100406) |
| 内容简介（英文） | Yang Weizhen (style name Lianfu; sobriquet Tiedi daoren) was a native of Shaoxing, Zhejiang. A Presented Scholar at 32, he was an official in Tiantai. With his honest and stalwart personality, he ran afoul of officials, who set him up and relieved him of office. He retired to the Suzhou-Songjiang area. Still interested in politics, he submitted an essay on legitimacy. Rewarded with office again, rebellions cut short the Yuan and his career as he later settled in Songjiang. Yang’s calligraphy was wild, pure and forceful. He did this work in 1361 with ink given by the court after settling in Songjiang for several years. He spent his time with friends and disciples enjoying tea and wine. With new brushes and fine ink, he often appreciated painting and calligraphy.(20100406) |
【作品展示】
元人法书册杨维祯书晚节堂诗
